Ben 10: Alien Force is a American animated television series created by "Man of Action" (a group consisting of Duncan Rouleau, Joe Casey, Joe Kelly, and Steven T. Seagle), and produced by Cartoon Network Studios. It is a sequel to Ben 10, although it follows a loose continuity. The series premiered on Cartoon Network on April 18, 2008, in the United States, with its Canadian premiere on Teletoon on September 6, 2008. The series was originally produced under the working title of Ben 10: Hero Generation.
Friday, March 13, 2009
Omnitrix
The Omnitrix is the mysterious alien device that allows the user to transform into various alien forms by combining the DNA of the selected alien with the user's own DNA, effectively turning them into the alien species the user has selected. The alien form is selected by unlocking the control dial, turning the control dial to the desired alien spieces which is displayed on the Omnitrix's display, then pressing the control dial back into place completing the transformation.
The Omnitrix was originally created by Azmuth (a Galvan like Greymatter) to allow the people of the universe a way to literally "walk in someone else's shoes". However, many beings saw the Omnitrix's abilities as something that could be used as a powerful weapon--most prominently the villain Vilgax. Fearing that people might misuse the Omnitrix for this very reason, Azmuth put several safeguards in place to ensure that whoever used the Omnitrix would not have full access to its powers. Several of these safeguards include transforming into an alien different from the one that is selected on the control dial, the ten minute auto time-out, and the restriction of accessible aliens. Even the Omnitrix's self destruct was a safeguard set in place by Azmuth. However, these safeguards are disabled once the Master Control for the Omnitrix is unlocked, which is apparently done by a random combination of selections on the control dial. Once the Master Control is unlocked, the user can stay in their alien form for any length of time and is also able to switch between alien forms at will just by thinking about it.
In addition to the aliens that were pre-programmed into the Omnitrix's DNA sequencer by Azmuth, the Omnitrix also possess the ability to absorb DNA samples from other alien species by simply coming into contact with them, effectively downloading a DNA sample and allowing access to that form.
To date, Ben has unlocked the Master Control only once by complete accident. This occurred during the Season 2 finale episode while messing around with the control dial, though to make sure Vilgax wouldn't have access to the Master Control, Ben zeroed out the Master Control, putting back into place all of Azmuth's safeguards.
In the episodes "Ben 10,000" and "Ken 10", Ben's future self has managed to not only unlock the Master Control, but has access to 10,000 different alien species. Also, his Omnitrix's look has been altered somewhat, though it appears to still function the same.It also seems to have grown and transformed until it reached the top of his forearm. His alien forms seem to have transformed as Ben got older.
The Omnitrix was originally created by Azmuth (a Galvan like Greymatter) to allow the people of the universe a way to literally "walk in someone else's shoes". However, many beings saw the Omnitrix's abilities as something that could be used as a powerful weapon--most prominently the villain Vilgax. Fearing that people might misuse the Omnitrix for this very reason, Azmuth put several safeguards in place to ensure that whoever used the Omnitrix would not have full access to its powers. Several of these safeguards include transforming into an alien different from the one that is selected on the control dial, the ten minute auto time-out, and the restriction of accessible aliens. Even the Omnitrix's self destruct was a safeguard set in place by Azmuth. However, these safeguards are disabled once the Master Control for the Omnitrix is unlocked, which is apparently done by a random combination of selections on the control dial. Once the Master Control is unlocked, the user can stay in their alien form for any length of time and is also able to switch between alien forms at will just by thinking about it.
In addition to the aliens that were pre-programmed into the Omnitrix's DNA sequencer by Azmuth, the Omnitrix also possess the ability to absorb DNA samples from other alien species by simply coming into contact with them, effectively downloading a DNA sample and allowing access to that form.
To date, Ben has unlocked the Master Control only once by complete accident. This occurred during the Season 2 finale episode while messing around with the control dial, though to make sure Vilgax wouldn't have access to the Master Control, Ben zeroed out the Master Control, putting back into place all of Azmuth's safeguards.
In the episodes "Ben 10,000" and "Ken 10", Ben's future self has managed to not only unlock the Master Control, but has access to 10,000 different alien species. Also, his Omnitrix's look has been altered somewhat, though it appears to still function the same.It also seems to have grown and transformed until it reached the top of his forearm. His alien forms seem to have transformed as Ben got older.
Ben 10
BEN 10 is an American animated television series created by "Man of Action" (a group consisting of Duncan Rouleau, Joe Casey, Joe Kelly, and Steven T. Seagle), and produced by Cartoon Network Studios. The pilot episode aired on December 27, 2005, as part of a sneak peek of Cartoon Network's Saturday morning lineup. The second episode was shown as a special on Cartoon Network's Fridays on January 13, 2006. The final episode aired on April 15, 2008. The theme song for the show was written by Andy Sturmer and sung by Moxy. In April 2008, Ben 10 was succeeded by Ben 10: Alien
Pokémon (anime)
Pokémon (abbreviated from Pocket Monsters (ポケットモンスター ,Poketto Monsutā?) in Japan) is an ongoing Japanese animated series, which has since been adapted for the North American and European television market. It is somewhat based on the Pokémon video game series and a part of the Pokémon franchise.
Originally a single series, Pokémon, it has since been made into three series, including Pokémon: Advanced Generation and subsequently Pokémon Diamond & Pearl, which continue the story of Pokémon, while its spin-off Pokémon Chronicles or, as it is known in Japan, Pokémon Sunday (formerly Shūkan Pokémon Hōsōkyoku) is a series of stories revolving around some of the recurring characters.
Originally a single series, Pokémon, it has since been made into three series, including Pokémon: Advanced Generation and subsequently Pokémon Diamond & Pearl, which continue the story of Pokémon, while its spin-off Pokémon Chronicles or, as it is known in Japan, Pokémon Sunday (formerly Shūkan Pokémon Hōsōkyoku) is a series of stories revolving around some of the recurring characters.
Pokémon
Pokémon (ポケモン ,Pokemon?, IPA: /ˈpoʊkeɪmɒn, ˈpɒkimɒn/) is a media franchise owned by the video game company Nintendo and created by Satoshi Tajiri around 1995. Originally released as a pair of interlinkable Game Boy role-playing video games, Pokémon has since become the second most successful and lucrative video game-based media franchise in the world, behind only Nintendo's own Mario series. Pokémon properties have since been merchandised into anime, manga, trading cards, toys, books, and other media. The franchise celebrated its tenth anniversary on February 27, 2006, and as of 23 April 2008 (2008 -04-23)[update], cumulative sales of the video games (including home console versions, such as the "Pikachu" Nintendo 64) have reached more than 186 million copies.
The name Pokémon is the romanized contraction of the Japanese brand, "Pocket Monsters" (ポケットモンスター ,Poketto Monsutā?), as such contractions are very common in Japan. The term "Pokémon", in addition to referring to the Pokémon franchise itself, also collectively refers to the 493 fictional species that have made appearances in Pokémon media as of the recent release of the newest Pokémon role-playing games (RPGs) for the Nintendo DS, Pokémon Diamond and Pearl. Like the words deer and sheep, the word "Pokémon" is identical in both the singular and plural, as is each individual species name; in short, it is grammatically correct to say both "one Pokémon" and "many Pokémon". In November 2005, 4Kids Entertainment, which had managed the non-game related licensing of Pokémon, announced that it had agreed not to renew the Pokémon representation agreement. Pokémon USA Inc., a subsidiary of Japan's Pokémon Co., now oversees all Pokémon licensing outside of Asia.
The name Pokémon is the romanized contraction of the Japanese brand, "Pocket Monsters" (ポケットモンスター ,Poketto Monsutā?), as such contractions are very common in Japan. The term "Pokémon", in addition to referring to the Pokémon franchise itself, also collectively refers to the 493 fictional species that have made appearances in Pokémon media as of the recent release of the newest Pokémon role-playing games (RPGs) for the Nintendo DS, Pokémon Diamond and Pearl. Like the words deer and sheep, the word "Pokémon" is identical in both the singular and plural, as is each individual species name; in short, it is grammatically correct to say both "one Pokémon" and "many Pokémon". In November 2005, 4Kids Entertainment, which had managed the non-game related licensing of Pokémon, announced that it had agreed not to renew the Pokémon representation agreement. Pokémon USA Inc., a subsidiary of Japan's Pokémon Co., now oversees all Pokémon licensing outside of Asia.
Friday, March 6, 2009
The Pink Panther
This article is about the "Pink Panther" film series. For the first film, see The Pink Panther (1963 film). For the animated character, see Pink Panther (character). For other uses, see The Pink Panther (disambiguation).
The Pink Panther is a series of comedy films featuring the bumbling French police detective Jacques Clouseau that began in 1963 with the release of the film of the same name. The role was originated by, and is most closely associated with, Peter Sellers. Most of the films were directed and co-written by Blake Edwards, with notable theme music composed by Henry Mancini.
Despite its use in the titles of most of the films of the series, the "Pink Panther" is not the Clouseau character, but a large and valuable fictitious diamond of the same name which is the "MacGuffin" of the first film in the series. The phrase reappears in the title of the fourth film, The Return of the Pink Panther, in which the theft of the diamond is again the center of the plot; that film also marked the return of Sellers to the role after a gap of ten years, which may have contributed to some confusion between the character and the diamond. The phrase has been used for all the subsequent films in the series, even when the jewel does not figure into the plot (the diamond has only appeared in five of the ten films in the series).
The first film in the series had an animated opening sequence, created by DePatie-Freleng Enterprises and set to the theme music by Henry Mancini, which featured the Pink Panther character. This character, designed by Hawley Pratt, was subsequently the subject of its own series of animated cartoons – as well as being featured in the opening of every movie in the Pink Panther film series except A Shot in the Dark and Inspector Clouseau.
The Pink Panther is a series of comedy films featuring the bumbling French police detective Jacques Clouseau that began in 1963 with the release of the film of the same name. The role was originated by, and is most closely associated with, Peter Sellers. Most of the films were directed and co-written by Blake Edwards, with notable theme music composed by Henry Mancini.
Despite its use in the titles of most of the films of the series, the "Pink Panther" is not the Clouseau character, but a large and valuable fictitious diamond of the same name which is the "MacGuffin" of the first film in the series. The phrase reappears in the title of the fourth film, The Return of the Pink Panther, in which the theft of the diamond is again the center of the plot; that film also marked the return of Sellers to the role after a gap of ten years, which may have contributed to some confusion between the character and the diamond. The phrase has been used for all the subsequent films in the series, even when the jewel does not figure into the plot (the diamond has only appeared in five of the ten films in the series).
The first film in the series had an animated opening sequence, created by DePatie-Freleng Enterprises and set to the theme music by Henry Mancini, which featured the Pink Panther character. This character, designed by Hawley Pratt, was subsequently the subject of its own series of animated cartoons – as well as being featured in the opening of every movie in the Pink Panther film series except A Shot in the Dark and Inspector Clouseau.
Daffy Duck
Daffy Duck was born on April 17, 1937. His debut was in the cartoon short, Porky’s Duck Hunt. This was the first of over 150 cartoon and movie appearances. He was an instant hit and named Daffy in his second film, Daffy and Egghead, released January 1, 1938. His creation was made possible by the combined efforts of Tex Avery, Bob Clampett, Frank Tashlin, Fritz Freleng, Art Davis and Robert Cannon. Daffy’s milestones include; the debut of Night of the Living Duck at the New York Film Festival, September 23, 1988, and Daffy and Bugs present an Oscar, April 1995.
Some may wonder where Daffy got the wonderful way of speech, there’s a story behind that. It is said the voice is based on producer Leon Schlesinger. Meant as a joke, he (Leon) was asked what he thought of the voice by the Termite Terrace staff, Leon was quoted to say “ Jethuth Critht thath’s a funny voithe! Where’d ya get that voithe ”? He never had a clue that it was his way of speech. Director Tex Avery’s Termite Terrace Staff included Bob Clampett, Sid Sutherland, Virgil Ross, and Chuck Jones.
In the early years, Daffy was a hyperactive, aggressive and overbearing duck. In contrast, Porky Pig was mild mannered and shy. They became an established team and made many appearances together. Audiences easily related to this epic struggle between the unpredictable little black duck and this pleasant, chubby pig. Not to say that Porky never stood up for himself, an example of this is in their first cartoon. After Daffy had inverted the role of hunter and pray, frustration set in until Porky pulled out a sheaf of paper, waved it in the offenders face and shouts, “ Th-th-that’s not in the script! “.
The next big change in Daffy came when Chuck Jones teamed him with Bugs Bunny. Daffy Duck went from a neurotic duck to a thinking duck. His personality is now cunning, conniving, greedy and somewhat aggressive in any of his endeavors. This played well off of Bug’s cool, thinking demeanor, and made a conflict that still lives on today. Even with all of his hard planning, Daffy never seemed to come out on top. His selfish attitude of “Mine”, in connection with his hunger for wealth, were always the downfall of any well-laid plan. What made this a good combination with their audience was the fact that they could relate to both characters. If you look at yourself and the people you know, it’s hard not to see a little Bugs Bunny or Daffy Duck in all of us.
In conclusion, Daffy Duck will live forever; his cartoons transcend the boundaries of time and generations. Adult and child alike can still relate to this little black duck. Times may change, but people are basically the same.
Some may wonder where Daffy got the wonderful way of speech, there’s a story behind that. It is said the voice is based on producer Leon Schlesinger. Meant as a joke, he (Leon) was asked what he thought of the voice by the Termite Terrace staff, Leon was quoted to say “ Jethuth Critht thath’s a funny voithe! Where’d ya get that voithe ”? He never had a clue that it was his way of speech. Director Tex Avery’s Termite Terrace Staff included Bob Clampett, Sid Sutherland, Virgil Ross, and Chuck Jones.
In the early years, Daffy was a hyperactive, aggressive and overbearing duck. In contrast, Porky Pig was mild mannered and shy. They became an established team and made many appearances together. Audiences easily related to this epic struggle between the unpredictable little black duck and this pleasant, chubby pig. Not to say that Porky never stood up for himself, an example of this is in their first cartoon. After Daffy had inverted the role of hunter and pray, frustration set in until Porky pulled out a sheaf of paper, waved it in the offenders face and shouts, “ Th-th-that’s not in the script! “.
The next big change in Daffy came when Chuck Jones teamed him with Bugs Bunny. Daffy Duck went from a neurotic duck to a thinking duck. His personality is now cunning, conniving, greedy and somewhat aggressive in any of his endeavors. This played well off of Bug’s cool, thinking demeanor, and made a conflict that still lives on today. Even with all of his hard planning, Daffy never seemed to come out on top. His selfish attitude of “Mine”, in connection with his hunger for wealth, were always the downfall of any well-laid plan. What made this a good combination with their audience was the fact that they could relate to both characters. If you look at yourself and the people you know, it’s hard not to see a little Bugs Bunny or Daffy Duck in all of us.
In conclusion, Daffy Duck will live forever; his cartoons transcend the boundaries of time and generations. Adult and child alike can still relate to this little black duck. Times may change, but people are basically the same.
Thursday, March 5, 2009
Huey, Dewey, and Louie
Huey, Dewey, and Louie Duck are a trio of ducks who appear in animated cartoons and comic books published by the Walt Disney Company. Identical triplets, the three are Donald Duck's nephews. Huey, Dewey, and Louie were created by Ted Osborne and Al Taliaferro, and first appeared in a newspaper comic strip on October 17, 1937. Their first animated appearance was in the theatrical short Donald's Nephews, released April 15, 1938. The boys are V.I.P members of the Mickey Mouse Club.
On a few occasions, there is a fourth nephew that appears, slipping through by a mistake of the artist. He has been named "Phooey Duck" by Disney comic editor Bob Foster. One short Egmont-licensed Disney comic explained Phooey's sporadic appearances as a freak incident of nature.
On a few occasions, there is a fourth nephew that appears, slipping through by a mistake of the artist. He has been named "Phooey Duck" by Disney comic editor Bob Foster. One short Egmont-licensed Disney comic explained Phooey's sporadic appearances as a freak incident of nature.
Woody Woodpecker
Woody Woodpecker is an animated cartoon character, an anthropomorphic woodpecker who appeared in theatrical short films produced by the Walter Lantz animation studio and distributed by Universal Pictures. Though not the first of the screwball characters that became popular in the 1940s, Woody is perhaps the most indicative of the type.
Woody was created in 1940 by storyboard artist Ben "Bugs" Hardaway, who had previously laid the groundwork for two other screwball characters, Bugs Bunny and Daffy Duck, at the Schlesinger/Warner Bros. studio in the late 1930s. Woody's character and design would evolve over the years, from an insane bird with an unusually garish design to a more refined looking and acting character in the vein of the later Chuck Jones version of Bugs Bunny. Woody was originally voiced by prolific voice actor Mel Blanc, who was succeeded by Ben Hardaway and later by Grace Stafford, wife of Walter Lantz.
Woody was created in 1940 by storyboard artist Ben "Bugs" Hardaway, who had previously laid the groundwork for two other screwball characters, Bugs Bunny and Daffy Duck, at the Schlesinger/Warner Bros. studio in the late 1930s. Woody's character and design would evolve over the years, from an insane bird with an unusually garish design to a more refined looking and acting character in the vein of the later Chuck Jones version of Bugs Bunny. Woody was originally voiced by prolific voice actor Mel Blanc, who was succeeded by Ben Hardaway and later by Grace Stafford, wife of Walter Lantz.
The Barber of Seville (1944)
The Barber of Seville was the first cartoon to feature a more streamlined character design for Woody Woodpecker, courtesy of veteran animator Emery Hawkins and art director Art Heinemann. In prior shorts, Woody had had a more grotesque appearance, including buck teeth, a receding chin (which made him look like a pelican), and thick stubby legs (though the buck teeth & chin features were already removed in 1942). Heinemann removed these features, and restructured Woody's body to conform to the modern animation standards in use for characters such as those appearing in Disney and Warner Bros cartoons.
Wet Blanket Policy
Confidence man Buzz Buzzard (Lionel Stander) is looking for a fresh sucker to swindle. Looking off in the distance, Buzz sees a happy-go-lucky Woody Woodpecker (Ben Hardaway), minding his own business while whistling down the street. The cunning buzzard quickly assembles a makeshift insurance office and greases the sidewalk, causing Woody to slide directly through the front door. He then tries to convince Woody that he needs an insurance policy. Buzz tells Woody that "One never knows when a little accident might prove fatal." Woody is then bamboozled into signing a policy; with the fine print clearly stating that it will pay Buzz $10,000 in case of "accidental" death. However, Woody soon realizes what's going on...
Subscribe to:
Posts (Atom)